When I visited Huffington Post today and saw this photo, I just wanted to leave a quick comment that hadn’t yet been left, namely to identify the beautiful setting as Kailua Beach on Oahu, one of my favorite beaches in the whole wide world. However, I then discovered that the Huffington Post no longer allows you to create an account just on it; instead, you have to log on via a social networking site. As my previous rants against Facebook make clear, I HATE SOCIAL NETWORKING SITES, not because they are social, and not because they involve networking, but because they invariably involve MARKETING. I don’t know about you (and don’t you appreciate that?), but I’d much rather have the NSA collect data on my every click around the web than have it done by some consortium of corporations whose only interest is to sell me products that I don’t want or need, and/or to sell information about me to other entities who might do whatever they like with it.
I searched to find other bloggers who might share my distaste for the growing social media complex, but (perhaps due to my impatience after spending several minutes trying to figure out a way around the HufPo requirement) all I found were pro-marketing sites whose authors view the growth as an opportunity rather than an annoyance or worse. In any case, if you haven’t considered the sheer size and interconnectedness of the social media marketing web, check out a larger, more readable version of Brian Solis and JESS3’s annual chart, which in miniature looks like this-
UPDATE: Amusingly, as if to make my point, after tweeting a link to this post (Twitter is the one social networking site I’m on), I immediately received this marketing response on Twitter-
As I blogged almost a year ago, I didn’t much care for Tarantino’s “Django Unchained” (to put it mildly), the last mainstream movie that was ostensibly about slavery, but was really about Tarantino’s running out of inspiration. I knew that there was yet to be made a film worthy of the seriousness of the subject, and it has arrived: 12 Years A Slave. If this adaptation of Solomon Northup’s autobiographical novel doesn’t win Oscars – or at least nominations – for Director Steve McQueen, Actor Chiwetel Ejiofor, Supporting Actress Lupita Nyong’o, and Producer Brad Pitt (for Best Picture), I’ll be, well… flabbergasted.
You really can’t understand contemporary conservative talk of secession, or of the South’s “rising again”, or the Tea Party’s reflexive rejection of all things Obama (policy disagreements aside), without understanding the history of the South, and you can’t understand the history of the South without coming to grips with 18th and 19th century slavery. The concrete reality of that slavery – much like the reality of the Holocaust – resists conceptualization, or adequate description in language. But its essence can at least be indicated by the artful telling of the stories of particular slaves (and slave-owners), and I’ve seen no better representation of such experiences in film.
I do have one minor quibble: as producer of the film, it was a bit self-serving of Brad Pitt to cast himself in one of the most pivotal (if brief) roles, and as one of the few admirable white characters. His appearance needlessly took me out of the movie, and his role certainly could have been just as well-handled by a less recognizable actor. But I’m willing to cut him some slack on this one, since just having his name on the posters will probably sell a significant number of seats, and he deserves a lot of credit for backing the film.
Anyway, if you can handle some rather intense scenes of cruelty and violence, I encourage you to see this movie, and to see it in the theatre for maximum effect.
At least when it comes to the insurance rates charged for comparable plans in Minnesota and Wisconsin under The Affordable Care Act, the conservative mantra that more competition plus less regulation is the way to lower health insurance prices is clearly false, according to an informative story published in the Oshkosh Northwestern yesterday (Sunday 11/10/2013).
When Minnesota state lawmaker Joe Atkins hunkered down to draft legislation outlining the way Minnesota would implement the Affordable Care Act, he had no idea the results would be so dramatic. The Gopher State is now enrolling individuals through its health-insurance exchange by the thousands and at health insurance premium rates that are among the lowest in the country. Next door in Wisconsin, the numbers of Obamacare enrollees have barely hit the hundreds and premium rates are between 25 and 35 percent higher than in Minnesota.
The reason for the large gap in rates is unclear but could be, in part, because of the more aggressive approach Minnesota has taken to implementing the law. The most obvious difference between the two states is their exchanges. Minnesota has its own online marketplace where residents and small businesses can shop for and buy insurance, while Wisconsin is relying on the federal government marketplace, which has been plagued with bugs and technical failures and doesn’t accommodate small businesses. If and when the Obama administration fixes that, the rate differentials will remain. And they are stark.
A 50-year-old Minnesotan who lives just south of the Twin Cities in Dakota County can buy a mid-level, silver plan for $241 a month. Just 20 miles away, across the state line in St. Croix County, the least expensive silver plan available to a 50-year-old Wisconsinite costs nearly three times that price — $622 a month.
Analysts say premiums are based on a number of factors, from health costs and demographics to market competitiveness. But when it comes to Wisconsin and Minnesota, none of those appears to account for such a wide disparity. The nonpartisan Kaiser Family Foundation found that health care costs in the two states are roughly the same. Per capita expenditures were $7,409 in Minnesota versus $7,233 in Wisconsin, according to the most recent data released in 2011 by the Centers for Medicare and Medicaid Services. And the costs have grown annually since 1991 at nearly the same rate — 6.7 percent in Wisconsin and 7 percent in Minnesota. As for competitiveness, only five insurers are offering plans on the Minnesota exchange. Wisconsin’s exchange has 13 carriers.
Cynthia Cox, a policy analyst at the Kaiser foundation, said regulation also plays a role in premium levels. In Minnesota, regulators forced insurers in several cases to resubmit lower rates because they questioned the justifications. In Wisconsin, regulators took a more hands-off approach and let all the rates go through as-is after reviewing carriers’ justifications.
“The fundamental difference between the two states, which are similar geographically and demographically and have very similar underlying medical costs, is that Minnesota has embraced the national health care reform law and is using the tools it provides to deliver more affordable health insurance, while the Walker administration has tried to undermine the law at every turn,” Citizen Action CEO Robert Kraig and researcher Kevin Kane wrote in a scathing op-ed recently published in The Capital Times of Madison.
“Hell in a handcart”.
That’s where Donald Fagen, in unabashed curmudgeon mode, thinks we’re all headed, thanks to the ubiquitous social media that keeps kids – by whom he means anyone born after 1960 and raised by television – staring at the gadgets in their palms instead of relating to each other in person. Or at least that’s what he told Tom Ashbrook – who seems to be developing more of an appreciation for quality music lately – at the end of his recent On Point interview, in which he was selling his recently released memoir, “Eminent Hipsters“. You can listen to the interview on the podcast or here. The book is near the top of my someday-I’ll-have-the-time-to-read list.
And while we’re talking Steely Dan, here is some recent concert footage of the band playing that old chestnut, Do It Again, featuring Michael McDonald (!) singing all but the last verse, when Donald chimes in. Enjoy some of the best pop-rock-jazz-r&b ever conceived of in this or any other universe-
And to just for the hell of it, here’s a short documentary about the making of one of my favorite tunes off perhaps Steely Dan’s most exquisite album Aja: “Home At Last”.