Freedom, Courage, Love, and Truth

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Two films currently in the running for the Academy’s “Best Picture” award are standouts for me. What they have in common is that, at their cores, they extol some very primal virtues. The first, Room, explores the value of freedom (which we too often take for granted); it’s ultimate price, courage; and the love that can motivate the needed courage: in this case, the mutual love of a very young child and his mother. This is a story that pushes some very emotional buttons, for all the best reasons. Here’s the official trailer, but if you haven’t read the novel, I recommend that you do not watch it prior to seeing the film, because it ruins the suspense of the plot (even if it doesn’t entirely neutralize its emotional wallop)-

The second film, Spotlight, is stylistically quite different. It’s a journalistic procedural, much in the spirit of 1976’s All The President’s Men, about how a dedicated group of reporters uncovered the depth and breadth of the “pedophile priest” problem in the Catholic Church. Being a (non-postmodernist) philosopher by trade, I’ve always been a sucker for stories about the pursuit and exposure of truth, especially when it’s intentionally been hidden, and when arriving at it comes at the cost of unexpectedly implicating apparent innocents in some moral morass. That’s where this film excels: when the head reporter (played by Michael Keaton) finally figures out who prevented the story from coming to light years earlier, it’s an enlightening surprise. Here’s the trailer (which, unlike the Room trailer, I can certify as “safe to watch”)-